Birch Tree at Dusk

This picture, or at least the look, was inspired by the work of London artist Clark McDougall who died of a brain tumour at the age of 59 back in December of 1980.

McDougall did a number of paintings in which objects in the scene were outlined in black paint. A painting from this period in McDougall's career hung on the wall at The London Free Press when I worked there.

This is a birch tree just off Wharncliffe Road on the way to Lambeth. It was dusk and the tree had a wonderful warm glow which looked all the warmer juxtaposed against the cool, blue sky.

To learn how this image was created see my post on Rockinon: Photography.

Court House at Dusk

Many people don't like the look of the courthouse in London, Ontario. Intimidating, foreboding, an almost windowless fortress. Sounds as if the architect got it right.

Do we really want a cheery courthouse?

Modern Buildings - Old Street

The bright, yellow tree is one of the many steel painted trees enlivening downtown London and the brightly tinted reflective glass is the former Canada Trust branch at the corner of Dundas and Talbot Streets.

Being kitty-corner to the JLC one would think this would be an excellent location for a restaurant. A lot of other people over the past few years have agreed and voted their agreement with their wallets. A number of restaurants have come and gone since the branch closed and the voting on the benefits offered by the location does not seem to be closed.

The large, white building on the far left is the Bell building. It was originally the hub for Bell operations in Southwestern Ontario, and in a sense it still is. But today the building is no longer home to original large number of Bell employees. On the bright side, whether the building is populated by Bell employees or not, London still has a great building and we all know how London has treasured its downtown structures through the years.

I wonder what originally occupied the site of the present Bell building and of the former Canada Trust branch?

Doggone-it! I'm not going!

"Like to go for a walk?"

"No!"

And there does not appear to be a lot of room for negotiations.

This lady taking her dog for a walk was sighted the other evening in London, Ontario, in one of the larger parks.

I think her dog was "parked."

Late November in Canada

Yes, that's right; This is a picture taken just the other day in London, Ontario. Posties walk a lot and they can get warm no matter what the weather. With a late fall rain forcing our mail-person to wear a bright, yellow slicker, the kind that traps heat, it was a day calling for shorts.

Computer Died, Blog Stalled, Back Thursday!

I'll be back - Thursday. I have a new computer. Yeah!

Xabis

It was the Ghost Ship (left): a remarkable piece of art - a shipwreck made from dinosaur bones, or so it looked to me. I loved it. It carried such power.

So it came as no surprise when I noticed the name of the artist on the multi unit outdoor sculpture at the Provincial Court House in London: Walter Redinger. But Xabis, a work completed decades prior to Ghost Ship is not bones but flesh, or at least, for me, it was.

Xabis, done 1974, is a direct descendent of Redinger's Caucasian Totems series. But since being completed and installed, it has been restored, refurbished and redone. I believe Xabis is a work done in fiberglass and as such it does require periodic maintenance.

But like so often happens in London, when repaired it was a new sculpture with a new outlook. The colour of the work originally recalled the soft, deep folds of the flesh of heavy nudes. It used to take me back to my art school days in Detroit, Michigan.

Now, the work is more of a stone grey and the forms seems less organically right for the piece. The look is now one of a form imposed rather than a shape occurring naturally as the material is tugged downward by gravity.

Walter Redinger began his art training in London at the Beal Technical School and then he continued his art education at was then known as the Ontario College of Art. From there he moved to the Miensinger School of Art in Detroit.

I believe he is still and an active sculptor with a studio south west of London. A well respected artist, he represented Canada a the 1972 Venice Biennale. Redinger exhibits internationally in the United States, Italy and France to name a few. His works can be found in many museums and private collections.

It would be interesting to get in touch with Redinger and ask him about the shift in colour of Xabis.